A beautifully printed, densely informative catalog that accompanies the current MoMA exhibit (on view through September), Fotoclubismo highlights the visually innovative photography of a largely unknown mid-20th Century amateur photography club in Brazil.
In her collected writings on photography, New Yorker staff writer Janet Malcolm accomplishes what many critics set out to do but few achieve, illuminating much that is true about the medium in a unique, eloquent voice that is piercingly intelligent and bluntly honest.
In the 1970s, an unassuming Tokyo salaryman used his one day off each week to journey into the mountains of Gunma Prefecture, an 8×10” view camera in tow. Leaving the city behind, he trekked—first by train, then by bus, and finally on foot—until he arrived at the remote villages there.
Photographer Mark Cohen stalked the same small radius of Wilkes-Barre, where he lived and worked, for decades, taking groundbreaking and revealing photos of small-town life that revel in the details. A well-edited selection of his black-and-white work comprises Grim Street.
Inspired by the Black Panthers, the Young Lords Party was an organization of Puerto Rican activists and community organizers, many of whom were first-generation college students at the time. The movement’s heyday lasted a little under two years, from 1969 to 1971. During that time, its members were on the frontlines of the struggle for social, racial, and economic justice.
This collection of short essays and reviews by one of the pre-eminent American landscape photographers explores a wide variety of topics covering all genres of photography.
Photography Until Now traces a path through the first 150 years of photography. The book, which blends history and criticism in insightful ways, is a sort of companion piece to Beaumont Newhall’s landmark 1937 MoMA exhibition and accompanying book The History of Photography.