Henri Cartier-Bresson completed just six documentaries during his legendary career. But they are significant additions to his body of work that also shed insight into his photographic practice.
Author Archives: Aaron M. Cohen
Year In Review: Our Favorite Photobooks of 2022
As we look ahead to the coming year, we revisit five photobooks that stood out to us in 2022.
New and Notable Photobooks: Some Say Ice by Alessandra Sanguinetti
In her latest monograph. Alessandra Sanguinetti crafts a kind of spiritual sequel to Michael Lesy’s cult classic, Wisconsin Death Trip. The result is one of the best photobooks of the year.
Photographers as Filmmakers #9: Another Day In Paradise (Larry Clark, 1998)
Larry Clark’s second feature film portrays the highs and lows of life on the margins from an insider’s perspective.
“Wolfgang Tillmans: To look without fear,” on view at MoMA, Reimagines the Traditional Museum Retrospective
The photographer’s highly anticipated MoMA show is overwhelming in the best possible way.
New and Notable Photobooks: Speedway 1972 by Henry Horenstein
Centered around the sport of modified stock car racing, Horenstein’s new monograph comprises a fascinating look at a subculture as it existed half a century ago.
Announcing The Official TPR Tote Bag
We’re excited to announce the launch of our inaugural fundraising campaign.
In the Galleries: August 2022
This month in Philadelphia: John W. Mosley – Chicken Bone Beach at Temple University.
New and Notable Photobooks: Recreation by Mitch Epstein
In this newly revised and expanded edition of Recreation, Mitch Epstein brings focus to life’s in-between moments while chronicling Americans’ pursuit of leisure across several decades.
Photographers as Filmmakers #8: Stranded In Canton (William Eggleston, 1974/2005)
William Eggleston’s lone foray into filmmaking, Stranded in Canton is an understated, unassuming, and unforgettable Southern Gothic masterpiece.
The Parallax Review 